Paul van Dyk & Elated Release New Single "Parallel Dimension"

Paul van Dyk & Elated Release New Single "Parallel Dimension"

First Single From Forthcoming Album 'Guiding Light', out in 2020

Stream 'Parallel Dimension' HERE

Raising the curtain not just on a new season, but Mission: Guiding Light – the advance guard tour for his hotly-anticipated 2020 LP - Paul van Dyk serves that trance justice again.

Following in the wake of ‘Galaxy’ - September’s Vini Vici-collaborating walk on the Psy-side, ‘Parallel Dimension’ swings back around to that instantaneously identifiable, classically floor-flaming PvD sonic.

For the track, Paul’s been joined at the mixing desk by a producer who may be a new name to some. Elated’s Graeme Knapp arrived on the trance reservation a couple of years back and amongst those with their ear to the ground swiftly started to built a reputation for himself. A number of his early releases found their way to Paul and after some positive-noise-type feedback the Canadian reached out.

What they’ve collectively worked up is an autumn-beating trance thunderbolt, which places clubbers heartstrings square between the crosshairs, whilst simultaneously planting their feet on the floor. With a no-prisoners tempo, hallmark PvD bass, from-within chords, awww-inspiring sub-melodies and kiss-the-sky mainline, Parallel Dimension’s got the lot. Your first taste of what ‘Guiding Light’ will bring drops today.

Paul van Dyk commenced Mission: Guiding Light tour operations on October 31 at Miami’s Treehouse. Full details of opening shows now taking place across North America throughout November can be found below.

November 16th - Vancouver, BC - Harbour Event Centre
November 22nd - Atlanta, GA - Ravine
November 23rd - Dallas, TX - Stereo Live
November 27th - San Francisco, CA - 1015 Folsom
November 29th - Houston, TX - Stereo Live
November 30th - Denver, CO - Summit 

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About Paul Van Dyk

Van Dyk’s story begins not in a superclub or on the main stage at a music festival, but in his mother’s kitchen. The year was 1985, and his family was living in Communist East Germany, which at the time was still divided by the Berlin wall known as the “Iron Curtain.” Paul spent much of his time tuning into the radio stations broadcasting from the West side of the wall; to him, they were his only connection to the outside world and a freer society.

It was on these airwaves that he first heard the sounds of electronic music. Such an event may seem trivial to some people, but it would prove to have a lifelong effect on the young teenager, who over the course of the next 30 years would go on to attain recognition not just as a forefather of trance, but as an overall icon of electronic music.

After briefly living in Hamburg, he then returned to Berlin in 1991, marking his first hometown performance that March at the just-opened club Tresor, which has since become one of the city’s cultural landmarks. Soon after he began DJing, van Dyk expanded his talents to making electronic music for himself. In 1994, he released his debut album, ‘45 RPM’; one of its tracks, “For An Angel,” is regarded by Mixmag as one of the greatest dance tracks of all time. In the following six years, van Dyk followed up with his 1996 album ‘Seven Ways,’ which put him firmly at the forefront of trance’s emerging scene.

The public recognition would only grow with the 1999 launch of his new DJ residency at Cream Amnesia in the world party capital of Ibiza; 17 years later, it’s still going strong as one of the longest-running residencies in clubbing history. In 2000, he launched his own label, VANDIT Records, its first release being his third album, ‘Out There and Back.’ In 2005, his fourth album ‘Reflections’ penetrated the pop culture membrane with a Grammy nomination in its first-year category of Best Dance/Electronica Album.

A further testament to his musical abilities, van Dyk has remixed some of electronic music’s biggest names—Deep Dish, Faithless, and Underworld, to name a few—in addition to Top 40 radio icons including Madonna, Britney Spears, and U2. His music can be heard in films such as ‘The Dark Knight,’ ‘Sisterhood of the Traveling Pants,’ and ‘Zurdo’ (the latter for which he won a Mexican Oscar), as well as for HBO, Land Rover, and Motorola commercials; and the ‘Mirror’s Edge’ video game.

Having been exposed to a larger audience, van Dyk aimed to reach higher heights as dance music broke out of clubs and raves and into public consciousness. His next two albums, 2007’s ‘In Between’ and 2012’s ‘Evolution’ yielded both critical and commercial success—Mixmag wrote that van Dyk had "achieved evolution in both name and nature," while DJ Mag called it "impressive" and "multidimensional." In 2008, his New Year gig in Rio de Janeiro set attendance records with 1.3 million people coming out.

All fame and club-hopping aside, van Dyk also has a political side he’s not afraid to showcase. In 2001, he started a mix compilation series titled ‘The Politics of Dancing,’ which was inspired by observing people of warring regions Palestine and Israel dancing together in peace. In 2010, he returned to Berlin to celebrate the 20th anniversary of the falling of the Wall with a one-day event aptly called We Are One, and in 2015, he wrapped up his Politics series with his seventh album ‘The Politics of Dancing 3.’ He has also taken up the banner for charities such as Rückenwind, which helps underprivileged children in Berlin; India’s Akanksha Foundation; the FEED Project; Peace One Day; and anti-war and voting movements such as Rock the Vote. His philanthropic endeavors were rewarded with Berlin’s Medal of Honor, as well as with MTV’s Chiuku award.

The coveted Medal of Honor is one in a long string of awards and accolades van Dyk has accumulated. His storied career has seen him achieve the longest run on the Top 100 DJs chart, including two years at No. 1; multiple IDMA awards; and Mixmag declaring him their “Man of the Year.” Last year, he won Mexico's Lunas del Auditorio award for Best Electronic Music Live Artist.


Over 30 years on from that first serendipitous encounter with electronic music on West Berlin’s radio airwaves, Paul van Dyk is himself inspiring newcomers to his culture. Come to any of his shows today and you’ll see on the dancefloor the free world he for a time could only imagine from behind the Iron Curtain: people of all ethnicities, nationalities, religions, and walks of life coming together to escape the world’s realities, celebrate, and live in the moment. “To me,” he says, “only dance music has this power to reconcile the historic divisions of the planet like this.”